A mitigação dos direitos musicais conexos ao autoral na era das plataformas digitais: Spotify e Tik tok

Abstract

This dissertation aims to expose the suppression of related musical copyright rights on digital platforms: Spotify and TikTok. In this way, it presents copyright as a construction and citizen achievement, from this it demonstrates the historical progression of this institute and the changes caused by globalization and new technologies. In other words, the duality between rapid musical dissemination and the deconstruction of very personal constitutional and fundamental rights, such as copyright, is debated. In this aspect, it addresses the importance of the author's patrimonial and moral rights, in addition to discussing the positive and negative role of the Central Distribution and Collection Office (ECAD) in guaranteeing such rights. Finally, it points to the lack of payment for related rights on digital platforms and French and Uruguayan legislation as possible examples of solutions.Thus, reaching the conclusion that legislative advances are necessary for the proper protection of rights related to copyright.