A poética contemporânea de Caetano Veloso por meio da literatura de quatro canções

Abstract

Poetic-musical analysis by Caetano Veloso on "London, London" (1970), "Goodbye, my Santo Amaro" (1971), "Sampa" (1978) and "my River" (2000) as the translation behavior of the contemporary artist on the presence the city imagery, whose productive force takes the lyrical second subject a negative vision but productive of being poetic, becoming, in addition to spectator of reality, the vehicle and the language in which the text is organized. So the city isn't exclusively theme, but, above all, discursive role plays, guides the vision and produces a real image. Therefore, Caetano will be observed as a musician-contemporary poet which absorbed the proposals of the modern tradition, according to the theory of Octavio Paz, and the categories of negativity, proposed by Hugo Friedrich, stabilizing a more conscious space where these categories, already out of context in relation to the first modernity, update your images and poetic sense, within the contemporary, where Danto the sorts as a style of using styles.