“Quero te tocar com meu louvor”: Tons homônimos e suas representações entre os protestantes pentecostais e batistas do município de Canindé de São Francisco / SE

Abstract

This article discussed the prevailing gospel music scene in Brazil during the 1990s, pointing out the significant changes in Christian music. For this, we make use of the theoretical-methodological assumptions of Cultural History and Oral History, understanding music and interviews as historical sources to obtain information from subjects of the time, from its production to reception. For this purpose, two religious denominations were selected for oral research, namely a Pentecostal and a Baptist, both with traditional roots, but with different musical contributions. In addition, considerations were made from phonographic material, understanding that the music is far beyond its lyrics. Therefore, their specificities are different, but with a body a member can be scrutinized, so should the music, in order to arrive at an analysis of a whole.