Faces do eu-lírico: poesia e lirismo em Vera Romariz

Abstract

This research aims to analyze the brands of the lyrical subject in the poems Faça malas, Sonhos podres, Tecelã and Amarelados olhos de melão, from the books Campo Minado, Amor aos cinquenta and Película, by Vera Romariz (s./d., 2004, 2008). The analysis of Romariz's poems assumes, in this research, the objective of giving to the poetic game a side line of sensations and senses to the poems, as it presents / displays the lyrical subject and the poetic voice, producing an inconstancy of affections, that looks for images characteristic of a petty and individualistic society. The methodological way is to study the poetic form, the lyrical self and the marks of the lyricism in the romariana poetry. In this way, one can perceive the sociocultural marks represented by the faces of the lyrical self and the symbolic choices of the poet, which produce, in our analysis, a representation of voices muffled by society. Thus, the poetry of Romariz prints in his artistic writing a true game of affection or absence of them, marked by poetic images of everyday life. To support our research, we used the theoretical studies of Paz (1982), Aguiar e Silva (2011), Moisés (2013), Bosi (2000) and Compagnon (2010), which help us think about poetry, lyricism , as well as the need of the literature to discuss society and society, as Candido (2001) says. Through this research, considering the visibility of the romarianas productions and of the poetic language of the author, it was also envisaged a greater exploration of the Alagoan literary productions.