Hilda Hilst: a poética da incompletude

Abstract

The research realized aims to analyse on Poemas malditos, gozosos e devotos (1984), from Hilda Hilst, the notion of incompleteness represented by the lyric self. Supports the hypothesis that God appears as a significant, marked by lack. Utilizing a theoretical frameork grounded in Literary Criticism, Psychoanalysis and Philosophy, attemps to demonstrate that the desire of poetic persona to enconteur the divine covers, in fact, the philosophical category of non-being, which identifies the deity with the Real psychoanalytic, with the space of the unwritten endless. It is believed that the space of unwritten is marked by death, that comes with the discovery of the finiteness of being. From the religious view of the lyric self, we intend to demonstrate that death can be understood as that which generates the negative dialetic hegelian. Trought the study of poetics, focused, mainly, on texts of Octavio Paz, Gaston Bachelard and Heloisa Mello, seeks to identify the literary procedures used by the poet to represent the non-being, understood to be fundamental to the analysis of poems hilstians, the study of image and poetic rhythm.