La literatura es algo muy frágil: as poéticas dessacralizadoras de Angélica Freitas, Cecília Pavón e Fernanda Laguna

Abstract

This doctoral dissertation aims to reflect critically on the desecrating poetics of Angélica Freitas, Cecilia Pavón, and Fernanda Laguna, that enact other ways of writing, reading and editing poetry, resignifying the traditional notions of literature, authorship, and work. From the analysis of poems that challenge models oftentimes pre-established by the canon, the procedures by which these poetics write other stories are analyzed, dismantling the establishment of consensus, dislocating meanings, reediting scenes of everyday life, while producing other subjectivities and contribute to undo the erasure of women in the literary sphere. In order to think what I call desecrating poetics, Adrienne Rich's postulations on “writing as re-vision” (2017), the concept of post-autonomous literature, by Josefina Ludmer (2009), and the theorizations of Deleuze and Guattari (2014) on what is called “minor literature” are important as theoretical foundation, in a interdisciplinary dialogue with several theorists from feminist criticism and the critical fortune of the poets analyzed. The corpus of this research is formed mainly by the works rilke shake (2007) e o útero é do tamanho de um punho (2012), by Angélica Freitas; the anthology Un hotel con mi hombre (2012), which brings together the poetic works by Cecilia Pavón until the date of publication; Control o no control (2012), that collects Fernanda Laguna’s production until 2012, and her latest release Los grandes proyectos (2018); in addition to the plaquetes, photocopied editions published by Laguna and Pavón in their publishing house, Belleza y feliciad.