Mostra Sururu e a Maceió da tela: uma análise sobre Maceió como cenário de experiências citadinas em filmes alagoanos

Abstract

This dissertation is about analyzes made from an screen ethnography of Alagoas films, aiming to identify the imagery constructions of the filmic narratives about the city experiences in the city of Maceió, and to analyze the city-making presents in the scenes of the films, within a literature of urban anthropology, and Anthropology of the Cities, that deal with a living city, made from the urban being, who in their multiple experiences and searches for familiarization (AGIER, 2011), develops their practices of tactics and strategies (CERTEAU, 1998), and builds the city from movement (AGIER, 2015). It was used as a clipping in this investigation audiovisual productions that participated in the Mostra Sururu de Cinema Alagoano, in the decade 2011 to 2021, from this clipping were analyzed films that deal with city experiences in the city of Maceió in a foreground, so film analyzes were built of three documentary short films: Visões das Grotas (2020), Imaginários Urbanos (2017), Minha Palavra é a Cidade (2016), and from the filmic analyzes made by a screen ethnography, the conceptual thematic axes were worked within the constructions that are being made about Maceió from the imagery of Alagoas films.