“Dança cigana como resistência cultural: a trajetória de Anne Kellen em Maceió”

Abstract

This research aims to explore Romani dance from a critical historical perspective, challenging common stereotypes and highlighting its cultural significance within the context of Alagoas. Focusing on the career of teacher and dancer Anne Kellen in Maceió, the study seeks to understand how Romani dance relates to identity formation in the region and its contribution to the preservation of cultural traditions. The work is divided into four main parts. The introduction outlines the study’s objectives and its significance. The second section details the adopted methodology, explaining the analytical procedures used to comprehend the practice of Romani dance and its impact. Next, the study presents a historical overview of Romani dance, from its origins to its transformations over time, considering external influences and local adaptations. Finally, the conclusions highlight Romani dance as a form of cultural resistance in the face of challenges encountered by the Romani community, especially the lack of institutional recognition. The research also reflects on Anne Kellen’s contribution, whose work has been essential to preserving the tradition in Maceió. The study further suggests potential directions for future research aimed at strengthening the recognition and appreciation of Romani dance as an integral part of Alagoas’ cultural heritage.