Crônica: bye, bye, brasil; feijoada completa; pivete, a melopoética do cotidiano em letras de músicas, de Chico Buarque

Abstract

This research focuses on the genre of chronicle present in the lyrics of Francisco Buarque de Holanda, artistically known as Chico Buarque, with the aim of analyzing how the melopoetics of everyday life reveal themselves in his compositions. The investigation into Chico Buarque's work seeks to present the relationship between music and the chronicle genre, placing the composer within the artistic and historical context of his time. Thus, the artist's productions traverse time, history, and modernity. In this way, the study aims to understand the connections between music and the chronicle that Chico weaves into the poetics of everyday life, within the artistic-literary scene. The methodological approach adopted in this research consists of a qualitative analysis, bibliographic in nature, grounded in the studies and epistemological perspectives of Arrigucci (1987), Coutinho (2004), Cunha (2002), and Soares (2014). Through this study, we can unveil the artistic language of the melopoetics of everyday life present in Chico Buarque's musical compositions. It became evident, therefore, that his lyrics follow the epistemological line of the authors utilized in this research, who discuss how the chronicle is situated close to the ground and the daily life of the modern city, using simple and communicative language to address the singularities of daily life, which is unmistakably perceptible in Chico Buarque's music.