As vozes silenciadas : arquitetura como discurso da (in)segurança humana da mulher presa na COVID19

Abstract

Since the most remote times, society has demanded an environment to be the deposit of deviant bodies to feed the feeling that this eugenics fosters security. The invisibility of people who are judged by law and public opinion demands isolation for control and punishment. The understanding that incarceration is the only option to combat crime is, at each time, retrograde and with little adherence to reality. When talking about gender, social labeling is combined with intersectional divergences against the female body labeled as delinquent for not moving within the four lines of cisheteropatriarchal conservatism. Violence against women occurs, in large part, in the domestic environment and prison cannot be disregarded as a place of equal act of dwelling. In

this way, like the aggressors in affection relationships, penal management assumes the oppressive role in disaffection relationships when it neglects the rights to human security of women imprisoned in public settings, but deprived of social gazes, where formal control is an active agent and camouflaged by the physical barriers of architecture. This situation cannot be considered an isolated fact, because in each prison unit, there are signs of violations of rights, as can be seen in the object of study for this research.