Flocos da infância na lírica palavra: um estudo da linguagem poética em Grande Baú, a infância, de Arriete Vilela

Abstract

This research aims to analyze the poetic language, besides having a special look at the literary childhood in Grande baú, a infância, of the Alagoan writer Arriete Vilela. The path to analysis is in the field of Cultural Studies, taking language as a literary category. It is perceived that childhood flakes in this work as an effective field of the word poetic, childhood is seen as a great chest, as the keeper of memories, and thus the subsidies of poetic making. The analysis of the Arrietean work assumes in this work a careful vision for the Word itself, it is evident how the writer plays with the literary production, embroidering different senses with the language, breaking even the structural forms. The methodological way is to study the poetic expression that emanates from Vilela, sometimes prose, sometimes poetry blend in their literary production, whose metalanguage is one of the aesthetic elements that mark this work, the literature of glance, happens to be a look of itself. The aim of this study is to reaffirm the importance of the writer for local literature as well as for national literature. It has gained a prominence that goes beyond the limits of the artistic texture and we intend that its works are increasingly known, read and studied. In order to subsidize this work, we use theorists such as Bacherlard (1988; 1993,), Bosi (1986; 2000), Brandão (2001), Compagnon (1999), Dantas (1999) and Jouve (2012), Paz (1982), Proença Filho (2007), Perrone-Moisés (1990), Iser (2002).