Gestão do patrimônio cultural do estado de Alagoas: uma narrativa sobre o tombamento dos templos religiosos, na Maceió de 1988

Abstract

This dissertation seeks to contribute to the understanding of the Cultural Heritage management in the earlies 1980, focous on the recognition of historical heritage of the Churches Our Lady of Graces - Metropolitan of Maceió Cathedral, Good Jesus of Martyrs, Our Lady of the Rosery of Black People, Our Lady of Deliverance of the Brown People and Saint Gonçalo of Amarante Chapel, situaded in Maceió. The purpose is to analyse the NORMATIVE ACTS that led to the exploration of the cultural heritage in its genesis of Alagoas and identify the absorption of national references on it; Contextualize the trajectory of the PROPERTY recognized by Decree 33.127/88 and their links with the social and Morphological Alagoas formation; And finally, to identify the actions of the PATRIMONY AGENTS who directed the course of preservation management in the 1980s in Alagoas. The transformation processes were analyzed based on the interpretation of the records consulted in Internal Rules, reports, minutes and specialist bibliographies. For this purpose, the methodology of documentary analysis was adopted, through the collection and analysis of normative acts, mainly Decree-Law no. 25 (1937), Law no. 4,741 (1985) and decrees of state historical registration of the 1980s. Also, starting from the cross-documenting the research proposes to collaborate towards a new narrative of the cultural heritage of the State of Alagoas and thus insert a re-reading into the registers of the property process of Alagoas. as well as justify the proposal and homologation of the decree that instituted as decribed the religious buildings of Maceió Downtown by Decree No. 33.127/88. The political motivation in transition of mandate by the head of the state's executive power, aiming for a higher candidacy, has been identified as results; likewise the favorable patrimonial scenario, with the newly created Secretariat for Culture and the close participation of the patrimonial actors.