IA e aporia : sobre cinema Deleuze

Abstract

The study presented here consists of showing the Deleuzean worldview in The Act of Creation, also the cinema and A.I in a philosophical perspective. The Act of Creation, which is a 1987 lecture, Deleuze exposes what Philosophy, cinema and science will be. The themes dealt with above consist of productions. Concept production, philosophy, block/movement duration, film and science functions. We are going to analyze the A.I from a Deleuze perspective. Talking about the hypothesis of machines thinking is a very complex topic, in view of the vast technology and everything that was/is scientifically developed. From the fiction, to be more specific, a scene from the film Artificial Intelligence is used to think about A.I. Based on the notion of production, the study follows this Deleuzian bias. Seeing that one discipline can communicate with another, for Deleuze. This study follows the same path. Philosophically discussing everything that is present in this work, obeying the limits of each discipline, explaining AI from Deleuze. It is about, therefore, a philosophical work that contains AI as speculation, but also, it is a work on The Act of creation, an interpretative unveiling about what is the Act of creation, how it takes shape, where to it is intended and what is produced in what becomes something beyond production.