O diálogo entre poesia e pensamento: a linguagem como clareira do ser em Heidegger e René Char

Abstract

The present work is divided in two main parts: 1) to understand the poetry openness and its location in arts from the thought of Martin Heidegger 2) to establish a relationship between poetry and thoughts the conversation between Heidegger and René Char. Heidegger says that the way of being of the artwork is responsible for putting the truth of the being because, in it, the way of historical references and the fate donated to a historical people is open for its to emerge. Poetry (Dichtung), by manifesting in language (Sprache), allows the opening of the being in an inaugural way, considering that it is in language that the appropriate event (Ereignis) appears as testimony; in other artistic manifestations, the opening of being led to language. Heidegger thinks of the truth from the Greek word Alétheia, the unveiling of the being, that is, the clearing (Lichtung) that unveils be in time. If through language the clearing of being appears, we will use a poemřs Char to demonstrate how this event is produced. The dialogue between Char and Heidegger is justified by the notion of openness as a constitutive element of the understanding that allows the radiance of the being's clearing. This clear surge of need to overcome the age of calculability that marks our history. From these points in common we extract the possibility of conversation between the authors, as it will allow the entry into the dichten-dinken relationship thought by Heidegger. While Char beckons to the unknown that a poetic language opens up, contradicting the time of calculation and the experience that we are submerged; Heidegger, by questioning the being's dwelling place, allows it to manifest itself as thought, dragging thought towards overcoming the calculability of existence.