A prata da casa na festa da contracultura em Alagoas: uma estética da existência

Abstract

This work has studied the hybrid processes of the artistic forms, by the transcultural perspective. Our corpora were selected from the José Geraldo (1946), Beto Leão (1949) and Lucy Brandão (1961 – 2000) poetry. These poets became integrated into a vanguard movement from the Counterculture post-60, in Alagoas. They joined the Big Refusal, according Marcuse (1968, 1969 e 2007). We used the qualitative methodology with induced procedures, and we registered here the analysis of some important samples. We have found, in Canclini (2008), theoretical basis to investigate the hybrid processes in modernity; in Rama (2001), the transcultural process; in Goffman and Joy (2007), the Counterculture post-60; in Foucault (2006), the aesthetic of the existence; in Bosi (2000, 1992 and 1988) the poetic happenings; in Marcuse (2007, 1969 and 1968), the Big Refusal, the autonomy of art and the erotic-aesthetic qualities; in Friedrich (1978), the lyricism in modernity; in Zumthor (2007), the performance. We establish that, from the Big Refusal of these young poets, they integrated a new vanguard movement in Alagoas. José Geraldo, Beto Leão e Lucy Brandão are crafts poets of outsider poetry, breaking out many hybrid processes of the artistic forms and denying the status of “the writing attitude” (hegemonic) with “the enrolling attitude”, multimodal of the poetical expression. The oral and the body productions from the repentes urbanos and the performances, the intersemiotics translations between the verbal and non verbal languages and the transitive form among the genders were poetry solutions found by these poets in the aesthetical dimension to build a democratic way to access the art and literary project. The contributions of this work imply a critical regard to the Beto Leão‟s project, the enlargement of the José Geraldo and Lucy Brandão‟s critical regards and the discussion of “the enrolling attitude” as a multimodal procedure identified in the hybrid processes of the artistic forms.