A música como movimento urbano e expressão social da periferia de Maceió.

Abstract

This work has as its object of study music as an urban movement and social expression and develops a reflection about these spaces of participation and expressiveness both of the users and of the artists who are part of this cultural context in the midst of today's society. The research developed is based on the analysis of the origins of musical genres from the periphery, through ethnomusicology and other areas of knowledge, as well as their developments in the social, political and musical fields. This space for the development of the individual inserted in the peripheral neighborhoods, enabled his demands to be expressed; while it represents a concrete space for your needs to be put, in the form of art and music. they are also configured as resistance in multiple areas, given that the genres studied here, specifically, suffer the same prejudices experienced by those who produce and reproduce them. The work will address aspects related to ethnomusicology as its practices and developments in a brief historical context. It will present a succinct trajectory of musical styles such as Rap and Reggae and will deal with some musical productions developed and disseminated in peripheral locations in the city of Maceio that use these musical strands, as well as political aspects that influence these productions.