As mutações de Fabiano e o jogo metafórico em vidas secas, de Graciliano Ramos

Abstract

This academic work has the object of studies the book Vidas Secas (1938), by Graciliano Ramos and is delimited in analyzing the metaphor as a resource of artistic expression. The analysis in Graciliano assumes, in this research, the objective of presenting the reality in which the writer is inserted, having in view is situated in what we call the Romance of 30 that consists in the second phase of modernism. With this, the funny productions start from what Bosi(2006) calls the Romance of critical tension, since in Vidas Secas, the reliable portrayal of reality, the language of denunciation and little refuse attributes to the author marks of the 30s, twentieth century. To this end, the research is justified in analyzing the metafáfora and taking it as na expression of meaning, meaning, for the relations between environment, narrator and characters. In this way, it is intended to perceive the semantic and stylistic value and to take it as a reference for the aesthetic construction, in which the narrator of Graciliano appropriates to build a metaphorized and poetic image of the word, determining to it value and artistic-literary sense. Thus, the methodology seeks to link itself to the discussions about the graciliânica language and the impositions of the heterodiegético narrator and dominator of the artistic language. Therefore, taking the bibliographic, qualitative research, we seek to trace a study on the graciliânica metaphor from its literary style, based on the theoretical studies of Bosi (2003; 2006), Bueno (2006), Black (2020), Candido (2006a; 2006b; 2014), Moisés (2004; 2006) and Silva (2018).