Batidas, discursos e marginalização o poder de reivindicação do jovem delmirense através do rap

Abstract

This article expresses a brief analysis of the youth adeptat hip-hop, in the city of Delmiro Gouveia, in the interior of Alagoas. The objective of this work it is o from understanding the contribution of a marginalized musicality, in this case, of rap reproduced and consumed by theyouth, for the municipality. In the course, we will deal, events related to the first vestiges of hip-hop in the city, its process of resistance of some individuals in this conjuncture. For such purpose, we use bibliographical consultation for description of the object and the qualitative method through History Oral Thematic, interviewing five subjects urderstood as contributors to the local rap scane. Given these factors, we perceive singularity, on the parto f a minority from the backlands of Delmir, who identified with rap and its speeches, the possibilities of artistic insertion with the use of hip hop, your sociocultural contribution, social visibility and the use of rap discouse to combat factors that somo supporters understood as repression.