A semiose da presentificação em meu amigo Marcel Proust romance : um diálogo intertextual.

Abstract

This work consists of the critical reading of Meu amigo Marcel Proust Romance (1995), of Judith Grossmann, and in the analysis of the phenomenon of the presentificação, understood it as one semiose where the desire, the perception and the speech are linked in a new epistemological relation. Thus being, the citizen of semiose of the presentificação comes to possess triple nature: patêmico citizen of the desire, percipient citizen of the cognition and enunciative citizen of the speech. The objective of this work is systemize and to find pathemic, percipient and enunciative the elements that base the presentificação. To argue in favor of this semiose it was opted to establishing dialogue between some aesthetic and philosophical theories around the subject of the representation, under the point of view of semiose of the presentificação. It had for good to undertake the comparison between literary workmanship MAMPR and other texts that could present modalities differentiated of this semiose. The result proved our hypotheses, therefore we evidence the elements that base the phenomenon of the presentificação: the extreme desire for the other modifies its manifest percipient criterion and if by means of the clutch in the sphere of the speech. It has a writing of the presentificação that, in MAMPR, rests on the hybrid form of the letter-daily one. The speech of the presentificação searchs to neutralize the absence of the loved being preventing to communicate in the distance space and secular it enters the interlocutors through the procedure of the clutch. Finally, in the scope of the perception, the citizen suffers alteration in its percipient capacities, come to hallucinate or to imagine the being loved that is absent. In this way, they act the passional, percipient and enunciative dimension jointly of the citizen of the presentificação in the construction of a world where the relations human beings can be daily and true.