Farpa, um conto alagoano: da narrativa ao áudio-visual na obra de Arriete Vilela e Henrique Oliveira

Abstract

A study from the perspective of the short film Farpa, an adaptation of the book by Arriete Vilela, by director Henrique Oliveira, reports the meeting of characters under the condition of violence and abandonment, as happens with the character Maria Flor. This research aims to analyze aspects of audiovisual production linked to the characters, the plot and the catharsis, which the film explores by densifying the character's relationship with the encounter between rural and urban spaces. The research is justified by the need to better understand the social contrasts of the book, as well as the adaptation of the short film, in the sense of proposing a discussion about the suffering of women while being vulnerable both in the family field and in family abandonment. A qualitative, bibliographic research was carried out, considering contributions from authors such as Donadio (2015), Bassnett (2003), Martins (2006) and Carneiro (2013). Thus, the research proposes to dialogue with the aesthetic forms of the book and the short film, also placing itself as an important strategy for approaching themes in the classroom.